Clore Gallery

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Q98929280

1987 postmodern extension to the Tate Britain art Gallery. 


Clore Gallery, Tate BritainClore Gallery, Tate Britain
London - Tate Britain - `Constable: Sketching from Nature` Room - Study of Sea and Sky, Isle of Wight 1827 by Turner, Cloud Study 1822 by Constable, A Distant View of St-Omer circa 1824 by Richard Parkes BoningtonLondon - Tate Britain - 'Constable: Sketching from Nature' Room - Study of Sea and Sky, Isle of Wight 1827 by Turner, Cloud Study 1822 by Constable, A Distant View of St-Omer circa 1824 by Richard Parkes Bonington
OLYMPUS DIGITAL CAMERA (8569999806)OLYMPUS DIGITAL CAMERA (8569999806)
TypeDateDescriptionKeywordsNotesSource
linkarchINFORM entry@Wikidata
linkTripadvisor page@Wikidata
image2007Clore Gallery London Dec07Wikimedia
image2017Clore Gallery, Tate BritainWikimedia
image2011James Stirling, Clore GalleryWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Romantic Shakespeare' RoomWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Constable: Sketching from Nature' RoomWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Constable: Sketching from Nature' Room - Cornfields near Brighton circa 1824, The Sea near Brighton 1826, Beaching a Boat, Brighton 1824 by John ConstableWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Constable: Sketching from Nature' Room - Kensington Gravel Pits 1811-12 by John Linnell, Frosty Morning 1813 by TurnerWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Early Turner' Room - Spithead: Two Captured Danish Ships Entering Portsmouth Harbour 1809 by Joseph Mallord William TurnerWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Early Turner' Room - The Bay of Baiae, with Apollo and the Sibyl 1823 by Joseph Mallord William TurnerWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Introduction to Romanticism' RoomWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Introduction to Romanticism' RoomWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Introduction to Romanticism' RoomWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Introduction to Romanticism' RoomWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Introduction to Romanticism' RoomWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Introduction to Romanticism' RoomWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'Introduction to Romanticism' RoomWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'James Stirling: Notes from the Archive'Wikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'James Stirling: Notes from the Archive'Wikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'James Stirling: Notes from the Archive'Wikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'James Stirling: Notes from the Archive'Wikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'James Stirling: Notes from the Archive'Wikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'The Romantics: Pictures for an Exhibition' Room - The Field of Waterloo 1818 by Joseph Mallord William TurnerWikimedia
imageLondon - Tate Britain - Clore Gallery 1987 by James Stirling - 'The Romantics: Pictures for an Exhibition' Room - Titania and Bottom c. 1790 by Henry FuseliWikimedia
imageLondon - Tate Britain - 'Constable: Sketching from Nature' Room - Study of Sea and Sky, Isle of Wight 1827 by Turner, Cloud Study 1822 by Constable, A Distant View of St-Omer circa 1824 by Richard Parkes BoningtonWikimedia
image2006OLYMPUS DIGITAL CAMERA (8569999806)Wikimedia
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